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Advocacy Group Asserts to Have Extracted Millions of Audio Files from the Streaming Giant

An activist group has claimed to have scraped millions of tracks from the popular streaming service and is getting ready to publish them publicly.

Possible Impetus for Artificial Intelligence Development

Industry experts noted the apparent leak could boost AI companies looking for data to develop their models.

A group called Anna’s Archive reported it had scraped 86 million audio tracks from Spotify and 256 million entries of metadata such as artist and record names. The company, which hosts more than 100 million tracks, stated that the breach did not constitute its entire inventory.

“We have identified and deactivated the nefarious user accounts that were involved in unlawful scraping,” said a Spotify spokesperson.

The Stockholm-based company, which has more than 700 million users worldwide, further explained that an investigation into unauthorised access found a external actor collected public metadata and employed questionable methods to circumvent DRM [digital rights management].

Group's Stated Goal and Worries

Spotify does not believe the audio acquired by Anna’s Archive has been released yet. Anna’s Archive, which is known for providing links to copyright-infringing books, wrote in a blog it wanted to create a ‘historical repository’ for music.

The group asserted the music files represented 99.6% of all music listened to by its listeners and would be distributed via ‘torrents’, a means of sharing large data files online.

“Of course the service doesn’t have all the music in the world, but it’s a fantastic beginning,” commented Anna’s Archive, which frames its mission as “preserving humanity’s information and heritage”.

AI Training and Intellectual Property Debate

Ed Newton-Rex for defending artists’ copyright, said the breached music would probably be used for training AI models.

“Educating models on illegally sourced data is unfortunately widespread in the tech sector, so this accessed music is almost certain to be used instructing AI models,” he said.

The Anna’s Archive site alludes to LibGen, a huge online repository of copyrighted books that has reportedly been used by the parent company of Facebook to develop its AI models.

The co-founder of an artificial intelligence company posted on LinkedIn that individuals of the public could in theory “create their own private free version of Spotify”. The executive added it could also enable tech companies to “educate models on modern music at a large volume”.

Copyright has emerged as a key issue between creatives, writers and creatives on one side and tech giants on the other.

Government Considerations and Responses

Across Britain, artists and writers have protested against a ministerial proposal to let AI companies use protected work without consent unless the owner opts out. Almost every participant to a government call for evidence on the proposal has supported artists’ concerns.

The secretary of state for science, innovation and technology told parliament this month there was “no clear consensus” on the issue, adding that ministers would “take the time to get this correct”. The government has committed to make regulatory plans on AI and copyright by next year.

By

Craig Walls

A digital artist and design strategist with over a decade of experience in creative industries, passionate about blending aesthetics with functionality.

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